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About Paeonia Bakeri by Lillian Snelling

This high quality print is based on a watercolour and pencil on paper of Paeonia Bakeri by Lilian Snelling. Snelling worked as a botanical artist at the Royal Botanic Garden, Edinburgh from 1916 to 1921. She provided the illustrations for many books including 'A Supplement to Elwes' Monograph of Genus Lilium' (1933-40) as well as for Curtis's Botanical Magazine from 1922-52.

All images contained on this website are copyrighted property of their respective owners. All rights reserved.

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Paeonia Bakeri by Lillian Snelling

Paeonia Bakeri by Lillian Snelling


Paeonia Bakeri by Lillian Snelling

Paeonia Bakeri by Lillian Snelling


Paeonia Bakeri by Lillian Snelling

Paeonia Bakeri by Lillian Snelling

In the Design Studio

We partner with the world's top museums and galleries to bring you exclusive prints of the highest quality. Our teams of designers ensure the colours are accurate, papers are well suited and the best frames are suggested.

Colour Perfecting in the Print Room

In the printing room, artworks are printed on state-of-the-art machines with a team of technicians checking colour and quality every step of the way.

Measuring Up

After being cut down to size, our team carefully finish any stray edges, check measurements and prepare the prints for mounting and framing.

Assembling Frames in the Framing Workshop

We have a team of master framers who work with high-quality, responsibly-sourced wood to create our vast range of framing combinations - each frame is bespoke and made to order for every print.

Hand-finishing in the Framing Workshop

Our selection of hand-finished frames are painted or stained by hand in a variety of colours, and finished with a layer of wax - the end result is a uniquely crafted, beautiful frame that is made to last.

The Last Stop

In this workshop everything comes together - the print, the frame and the glass - in a seamless and stream-lined process.

Mounting the Prints

The artwork is carefully mounted in preparation for framing.

Laying the Glass

Once mounted, the print is ready to be covered by glass or perspex - a delicate procedure but expertly done with not a fingerprint in sight.

The Final Product

After a final, thorough check, the framed print is ready to be carefully packaged up and shipped to the customer.

Transferring to Canvas

For those who order their art as canvas prints, the same amount of attention and care goes into the process. Here, the print is being transferred to a wooden frame.

Finishing the Canvas Edging

As with the framed prints, our canvases are all hand-finished in the workshop - a labour of love from start to finish.