Spring Sale
25% off orders over £25
Use code SPRING25 before Monday 25th May
Menu
£12.95 In stock

About This Print

An original fine art litho poster published by Tate. This work was a room-sized installation representing a pharmacy, conceived as a site-specific installation and initially shown at the Cohen Gallery, New York, in 1992.
Four glass apothecary bottles filled with coloured liquids stand in a row on a counter and represent the four elements: earth, air, fire, water. Four bowls containing honeycomb sit on four footstools arranged around an electric insect-o-cutor, which hangs from the ceiling. Medicine and drugs are recurring themes in Hirst’s work as means of altering perception and providing a short-lived cure, ineffectual in the face of death. Here the honeycomb operates as the central metaphor: it potentially attracts flies, only to lure them on to a quick and brutal death. In a similar manner the pharmaceutical drugs with their inevitable side effects could be seen to represent a range of impermanent means for escape from sickness and pain. By reproducing the area of a pharmacy the public is normally denied access to in a highly aestheticised context, Hirst has created a kind of temple to modern medicine, ironically centred around an agent of death (the insect-o-cutor). Offering endless rows of palliative hopes for a diseased cultural body, Hirst’s Pharmacy could be seen as a representation of the multiple range of philosophies, theories and belief systems available as possible means of structuring and redeeming a life. Like medicine, however, these attempts to think a way around death are eternally doomed to failure.

All images contained on this website are copyrighted property of their respective owners. All rights reserved.

Similar categories


Pharmacy by Damien Hirst

Pharmacy by Damien Hirst


Pharmacy by Damien Hirst

Pharmacy by Damien Hirst


Pharmacy by Damien Hirst

Pharmacy by Damien Hirst

In the Design Studio

We partner with the world's top museums and galleries to bring you exclusive prints of the highest quality. Our teams of designers ensure the colours are accurate, papers are well suited and the best frames are suggested.

Colour Perfecting in the Print Room

In the printing room, artworks are printed on state-of-the-art machines with a team of technicians checking colour and quality every step of the way.

Measuring Up

After being cut down to size, our team carefully finish any stray edges, check measurements and prepare the prints for mounting and framing.

Assembling Frames in the Framing Workshop

We have a team of master framers who work with high-quality, responsibly-sourced wood to create our vast range of framing combinations - each frame is bespoke and made to order for every print.

Hand-finishing in the Framing Workshop

Our selection of hand-finished frames are painted or stained by hand in a variety of colours, and finished with a layer of wax - the end result is a uniquely crafted, beautiful frame that is made to last.

The Last Stop

In this workshop everything comes together - the print, the frame and the glass - in a seamless and stream-lined process.

Mounting the Prints

The artwork is carefully mounted in preparation for framing.

Laying the Glass

Once mounted, the print is ready to be covered by glass or perspex - a delicate procedure but expertly done with not a fingerprint in sight.

The Final Product

After a final, thorough check, the framed print is ready to be carefully packaged up and shipped to the customer.

Transferring to Canvas

For those who order their art as canvas prints, the same amount of attention and care goes into the process. Here, the print is being transferred to a wooden frame.

Finishing the Canvas Edging

As with the framed prints, our canvases are all hand-finished in the workshop - a labour of love from start to finish.