Keith Haring: ‘Art is for everybody’

Suggested filters

Raised in rural Kutztown, Pennsylvania, Keith Haring (1958 – 1990) rose to prominence in the 1980s. By blurring the boundaries between street art and conventional exhibition spaces, he went on to become one of the most influential artists of the twentieth century. Today, he is still celebrated for his political activism, his philanthropy, and his creation of an artistic language that still resonates with diverse audiences. We explore Haring’s innovative artistic practice and how the man who championed ‘art for everybody’ rocketed to international fame.  

Keith Haring at work in Stedelijk Museum, Amsterdam, 1986, Creative Commons

Early influences

A child of the 1960s, Keith Haring was influenced by his amateur illustrator father, and the cartoons he saw on television by Walt Disney and the Looney Tunes characters. When he finished school in 1976, he went on to study commercial art in the Ivy School of Professional Art in Pittsburgh. The experience was short-lived. Haring read Robert Henri’s The Art Spirit (1923) and it had a profound effect upon him. The book encourages artists to engage in an interactive artistic practice, and it dawned on the aspiring artist that he wasn’t interested in commercial advertising.

Instead, he wanted to make art that was accessible and socially relevant. Describing his school experience in an interview, Haring reflected that ‘The people I met seemed really unhappy; they said that they were only doing it for a job while they did their own art on the side. But, in reality, that was never the case: their own art was lost. So, I quit the school.’ 

'Blue Poles, 1952', (CC King & McGaw) Abstract expressionist painter Jackson Pollock's action paintings influenced Keith Haring

Dropping out after just two terms, Haring took the leap and studied art independently; borrowing books from The University of Pittsburgh Library. He managed to support himself by landing a job at the Pittsburgh Center for the Arts, and it was there that he first encountered artistic giants that would influence him for years to come. He discovered the illustrative directness of Jean Dubuffet’s ‘raw art’, the seemingly spontaneous execution of Jackson Pollock’s action paintings, and the dense compositions produced by Mark Tobey. 

Increasingly seduced by the concept of scale, Haring’s work grew bigger and more impactful. Influenced by a lecture he attended by the Bulgarian sculptor Christo – who enlightened him to the potential of large-scale works like Running Fence and Pont Neuf wrapped (below) – Haring endorsed the belief that ‘art could reach all kinds of people, as opposed to the traditional view, which has art as this elitist thing.’ Such views gave Haring the confidence to transform his small abstract drawings into monumental works. 

French artist Jean Dubuffet and Bulgarian sculptor Christo were major influences on Keith Haring. Photos: Creative Commons

French artist Jean Dubuffet and Bulgarian sculptor Christo were major influences on Keith Haring. Photos: Creative Commons

A lucky break

Haring’s break came when an artist cancelled an exhibition at Pittsburgh Arts and Crafts Center and he was able to step in at the last minute. The event marked the first rung of the ladder of the ambitious young artist’s creative career, giving him the confidence he needed for the next big move: relocating to New York City. ‘From that time, I knew I wasn’t going to be satisfied with Pittsburgh anymore or the life I was living there. I had started sleeping with men… I decided to make a major break. New York was the only place to go.’ 

‘I saw this empty black panel where an advertisement was supposed to go. I immediately realised that this was the perfect place to draw.’

Keith Haring

Studying at The School of Visual Arts in New York in 1978, Haring found his unique expressive vocabulary. Barking dogs, flying saucers, radiant crawling babies, and large hearts soon became integral ingredients to his idiosyncratic iconography. Keen for others to see his work, he hung his drawings in the School’s hallways and repurposed disused advertising spaces on the subway to experiment with his style.

Talking to journalist David Sheff for Rolling Stone in 1989, Haring explained that he ‘saw this empty black panel where an advertisement was supposed to go. I immediately realised that this was the perfect place to draw [...] I kept seeing more and more of these black spaces, and I drew on them whenever I saw one.’ Over time, drawing with chalk, he transformed these public spaces into his own creative lab where he could develop and make new iterations of his characteristically large figures, bold outlines, and striking lettering.

'Keith Haring 1983' and 'Keith Haring 1986', © Keith Haring Foundation, licensed by Artestar New York


'Homo Decorians Louisiana 1985' and 'Keith Haring at Fun Gallery 1983', © Keith Haring Foundation, licensed by Artestar New York

Haring thrived on the public performance of his work. Drawing in the New York subway enabled him to receive live feedback from people from all walks of society. Speaking to David Sheff, he reflected that the conversations with the public were one of ‘the main things that kept me going so long – the participation of the people that were watching me and the kinds of comments and questions and observations that were coming from every range of person you could imagine, from little kids to old ladies to art historians [...] Art lives through the imaginations of the people who are seeing it. Without that contact, there is no art.’

With growing recognition of his work and more money to finance his ambitions, Haring embraced new opportunities. In 1985, keen to make his work available to more diverse audiences (beyond the museum elite), he rented a ground floor space on Lafayette Street on lower Broadway in New York. Initially he used it as an exhibition space for ‘Rain Dance’, a group show curated with sales proceeds benefiting African famine relief.

One year later, the space became his famous ‘Pop Shop’, where he expanded his artistic output to produce affordable t-shirts, buttons, magnets, postcards, watches, and apparel. And, since they were more democratic – and cheaper to produce – he also began designing public posters. Using a black marker, he initially made outlines of his designs and added tracing paper overlays with Pantone colour indicators. He opted for offset printing because it produced a similar, high-quality finish to silkscreen printing.  

'Keith Haring A Milano... 1984', © Keith Haring Foundation, licensed by Artestar New York

Art for social causes

Acutely aware of the exploitative practices of large commercial sponsors, Haring embraced charity work and increasingly used his art to highlight pertinent social causes. Working on a voluntary basis, he organised workshops with children and produced large-scale murals at New York’s Woodhull Hospital. 

Woodhull Hospital, Brooklyn New York, Creative Commons

Woodhull Hospital, Brooklyn New York, Creative Commons

Drug use was also rampant and Haring produced a mural called ‘Crack is Wack’ in 1986. Much cheaper and dangerously more addictive than its powdered counterpart, crack cocaine became popular in poor and working-class neighbourhoods. In a bid to warn people about the dangers of the drug, Haring strategically placed his ‘Crack is Wack’ mural on the Harlem River Drive in East Harlem. The mural also held personal significance to Haring as his studio assistant and friend, ‘Benny’, took an overdose of the potent drug. Crack is Wack therefore became a mural to honour Haring’s lost friend. 

Keith Haring presenting his 'Crack is Wack' mural on Harlem River Drive, East Harlem 1986, Creative Commons, and 'Crack Down! 1986' poster designed by Keith Haring

Openly gay and working during the height of the sexual revolution in New York, Haring also felt compelled to speak out about the AIDs epidemic that gripped the city. Building awareness about the deadly disease he himself contracted, Haring tried to combat it with condom case designs and posters that promoted safe sex. 

'Safe Sex!' by Keith Haring, © Keith Haring Foundation, licensed by Artestar New York

In 1990, aged 31, Haring died of AIDS-related complications. Although his artistic career spanned just twelve short years, he had a major impact on the LGBTQ+ community. In 2014, he was one of the inaugural honourees in the Rainbow Honor Walk in San Francisco, a walk of fame celebrating LGBTQ people who have ‘made significant contributions in their fields.’ Likewise, in 2019, Haring was one of the inaugural 50 American ‘pioneers, trailblazers, and heroes’ inducted on the National LGBTQ Wall of Honor within the Stonewall National Monument in New York City’s Stonewall Inn.

We’re honoured to work with Artestar who, along with the Keith Haring Foundation in New York, have given us licence to produce 20 accredited designs of Keith Haring’s iconic posters. 

Related stories

spotlight Ele Pack’s new beginnings and emotion-filled abstracts

Upon the release of our latest collection with artist Ele pack, we caught up with her to discuss her recent relocation to Derbyshire, and the new direction of her work.

Suggested filters

spotlight David Hockney’s collectible exhibition posters

Discover the collectible exhibition posters Hockney designed for Tate, Louisiana Museum of Modern Art, San Francisco Opera and more.

spotlight Meet London-based design studio Oscar Francis

Join us as we talk to Sarah Evans, the architect turned artist behind London-based design studio Oscar Francis about her work, inspirations and her experience of life as an artist during lockdown.

spotlight Brighton-based mixed-media artist VeeBee’s technicolour works

Learn more about her unusual nocturnal art practice, her beloved cat ‘NooNoo’, and the vibrant portraits she creates of Marilyn Monroe, Audrey Hepburn and more.

spotlight Rosco Brittin’s impossibly intricate floral collages

Based in London, quirky collage artist Rosco Brittin tells us about his animal muses and an intriguing 'spirit genie' that offers him creative fuel...

spotlight Meet Hastings-based abstract landscape painter Louise

Join us as we catch up with Hastings-based abstract landscape painter Louise Body to discuss fisherman’s smocks, juggling work and home life, and her previous career as a wallpaper designer. 

spotlight Art Deco travel posters by A.M. Cassandre

A.M. Cassandre’s early work afforded him instant acclaim. We delve deeper into the journey he took to become one of the most sought-after commercial illustrators of his generation, creating works such as Normandie, Nord Express, and many more influential graphic design posters.

spotlight Curated Editions: Meet curator Becca Pelly-Fry

We catch up with London-based curator Becca Pelly-Fry to discuss how the soon-to-be-launched Curated Editions collection ‘New Mythologies’ is taking shape, which artists to look out for, and how to receive information about the limited edition artworks.

Suggested filters

spotlight Introducing London artist Hormazd Narielwalla

Hormazd Narielwalla’s unique artistic process starts with antique tailoring patterns as the base – collected from a variety of sources, from Savile Row tailors to vintage domestic tailoring patterns.

spotlight In the studio with Fintan Whelan

Irish artist Fintan Whelan tells us about his painting technique which is achieved by pouring, tilting and scraping materials, layer upon layer.

Suggested filters

spotlight Meet Sheffield designer and illustrator Michelle Collins

Taking inspiration from buildings, their shapes and the negative spaces they create, Sheffield designer and illustrator Michelle Collins creates smooth geometric artworks.

spotlight Meet celebrated Australian creative art studio, Inaluxe

We interview dynamic design duo Kristina Sostarko and Jason Odd. Responsible for creating Inaluxe, the pair talk to us about their synchronised creative collaborations and they love of bright colours, shapes and forms.

spotlight Israeli artist Yoni Alter’s colourful graphic designs

Israeli artist Yoni Alter now lives and works by London’s winding canals. He chats to us about his love of experimentation, his love of minimalism, and his innate compulsion to keep on creating.

spotlight Meet Dutch mix-media artist Teis Albers

After studying graphic design in Eindhoven, Teis Albers took the leap and set up his own art studio. He tells us about his diverse artistic practice which straddles illustration, typography and photography.

spotlight Marion McConaghie’s vintage dictionary butterflies

We meet Lewes-based artist Marion McConaghie to discuss how she transforms old encyclopaedias, maps and books into intricate collages.

Subscribe to our newsletter
Be the first to hear about our new collections, limited edition launches, and enjoy artist interviews.

By subscribing you agree to our privacy policy.

Contact us: customer care
Email us
01273 511 942
Mon-Thurs, 9 am - 5 pm Fri 9 am - 2 pm

All art prints and images on this website are copyright protected and belong to their respective owners. All rights reserved.