spotlight

Meet London-based design studio Oscar Francis

Sarah Evans founded London-based design studio Oscar Francis in 2013. A qualified architect, she worked in the industry for 15 years before diversifying into architecturally-inspired prints and textiles. Sarah takes typical examples of modern and classic British architecture and re-imagines them in stunning prints and patterns. We chat to her about her latest work and her experience of life as an artist during lockdown.

Sarah Evans of Oscar Francis

Q: Have you always been creative?

A: I was creative from a young age, the only activities I was interested in was drawing and painting. My mother has told me many stories of how she had to drag me away from pen and paper or the latest self-imposed project just to eat dinner. Here is a picture of me age 8 in my favourite spot in our old house drawing as usual.

Sarah Francis was a creative child

Q: Is anyone else your family creative?

A: My entire family is creative. My mother is an artist. My sister teaches art and my father was an architect. We have always been very close and constant support to one another. This is a picture of my sister and I taken before the lock down.

Sarah Francis and her sister

Q: Have you ever done any other jobs before you became a full time artist? 

A: I wanted to be an artist from an early age but I also had huge respect for the discipline of architecture. When I was considering further education and university I decided to try architecture. The argument being that this route was just as creative but might also open up a wider range of job opportunities. 

After 15 years of studying and practising architecture I returned to art. I know I have taken the long route to become the artist I always felt I should be. However, I don’t think I would have been able to set up Oscar Francis and run it successfully without the skills I learned studying and practicing architecture.

Q: What are the main themes of your work?

A: My work is predominantly inspired by London’s modernist and brutalist architecture. While Modern and mid-century design has become incredibly popular, modernist and brutalist architecture itself still has a relatively small fan base. 

As an architect and artist I find the subject a source on endless inspiration.  I feel I still have much more to explore, from popular large-scale public buildings to tiny housing projects.

Sarah Francis of Oscar Francis' fine art prints

Q: Where do you work?

A: I work in a studio in my house and I always have, which means that the current situation has not affected my working environment in the same way it has my partner and other friends who travel to work in an office. The consistency, however, ends there.

I am also a mother and therefore the challenge has been to continue working while teaching our children. A fairly strict schedule and shared teaching ‘shifts’ between myself and my partner is the new normal. 

Q: Do you like to work with music or prefer silence?

A: I often listen to my playlists on Spotify or BBC Sounds. I am a huge movie buff and some days I will put an old film on in the background while I am working.

Most of my friends are amazed that it doesn’t distract me but it’s quite the opposite. It seems to quiet the part of my brain that drifts off and wants to constantly check my emails!

Sarah Francis of Oscar Francis at work in her studio

Q: What is your method and what materials do you use?

A: My method depends on whether I am creating a hand drawn piece or a digital work. All of my work begins as a hand drawing then the digital work is realised from that. Initially the work begins off the page with the idea for a collection. All of my collections begin with a theme.

Once the theme has been set, I research relevant buildings, uncovering unique features and stories so I can decide which fit best within the collection. When I have a final selection, I start to draw. I use computer-aided design software to create the vibrant graphic pieces like the ones in the King & McGaw gallery.

Q: Where do you see yourself in 5 years time?

A: Assuming we aren’t all still working from home, I would like to have worked on many more interesting projects and continue to produce new collections for Oscar Francis.

I have enjoyed working with commercial clients, publishers and editors alike in the last 5 years and I am keen to find new and interesting work that challenges me.

I collaborated with Jealous Gallery London as part of a group exhibition resulting in a show at the Saatchi Gallery. I would love to collaborate on more interesting exhibitions with other London galleries.

Prestel publishing produced a poster book of my work a couple of years ago and I would relish working on another book, either solo or with other artists. I can set specific goals for myself but, as we are all aware now, you can’t control the future. To continue to work in a job that I love is my main goal.

Related stories

spotlight Meet London-based design studio Oscar Francis

Join us as we talk to Sarah Evans, the architect turned artist behind London-based design studio Oscar Francis about her work, inspirations and her experience of life as an artist during lockdown.

spotlight Coming soon: Bella Freud

Arriving in November, an exclusive series of screen prints and limited edition prints by celebrated designer Bella Freud, drawn from her historic design archive.

spotlight Hokusai’s ‘The Great Wave’ – an artwork for eternity

Since its genesis in the nineteenth century, Hokusai’s Great Wave off Kanagawa’, has swept the world with its sublime beauty. We explore how the Japanese artist’s woodblock prints fascinated the likes of Vincent van Gogh, and still manage to beguile viewers today.

spotlight A change in season: Autumnal Vogue illustration covers

To welcome in the change of season, we revisit some of our favourite Vogue cover illustrations from our exclusive archive.

spotlight RARE: ‘The Shining’, original 1980 film poster

When Jack Nicholson delivered the chilling line ‘Heeere’s Johnny!’ in Stanely Kubrick’s legendary psychological thriller, he sent shockwaves of terror across America. Learn more about this advertisement poster designed for the film’s UK debut in 1980.  

spotlight The potent symbolism in Millais’ portraits of women

To celebrate our new release of John Everett Millais’ ‘The Bridesmaid’ print, produced in partnership with The Fitzwilliam Museum, we take a look at the painting’s symbolism alongside another of his iconic works, ‘Ophelia’.

spotlight The making of Hormazd Narielwalla’s Frida Kahlo-inspired ‘Queen’ prints

When Hormazd watched the 2002 Frida Kahlo film starring Salma Hayek, he was stunned. Ever since, he has returned to the Mexican artist for creative inspiration, most recently with his new limited edition prints featuring hand-applied gold bows.

spotlight Brighton-based mixed-media artist VeeBee’s technicolour works

Learn more about her unusual nocturnal art practice, her beloved cat ‘NooNoo’, and the vibrant portraits she creates of Marilyn Monroe, Audrey Hepburn and more.

spotlight Rosco Brittin’s impossibly intricate floral collages

Based in London, quirky collage artist Rosco Brittin tells us about his animal muses and an intriguing 'spirit genie' that offers him creative fuel...

spotlight Paul Cézanne’s ‘Bathers’ goes on display at Tate Modern

To celebrate the opening of Tate Modern's ‘EY Exhibition: Cézanne’, we take a closer look at one of his most iconic paintings, ‘Bathers (Les Grandes Baigneuses)’.

spotlight Meet Hastings-based abstract landscape painter Louise

Join us as we catch up with Hastings-based abstract landscape painter Louise Body to discuss fisherman’s smocks, juggling work and home life, and her previous career as a wallpaper designer. 

spotlight The Hollywood Icon – Marilyn Monroe

To mark sixty years since Marilyn Monroe’s death, we take a closer look at some of our favourite prints and posters that encapsulate her timeless glamour.

spotlight Jean-Michel Basquiat’s influential black idols

We explore the ways Basquiat told a story of black struggle through his idols, including jazz pianist Thelonious Monk, legendary bebop saxophonist Charlie Parker, and boxers Sugar Ray Robinson and Muhammad Ali.

spotlight Curated Editions: Meet Candida Powell-Williams

Playful, colourful, and joyous to behold, mixed media artist Candida Powell-Williams’ work explores representations of overlooked historical women.

spotlight Must-see autumn exhibitions

Discover our top picks, brought to you by many of our long-standing museum and art gallery partners including V&A, Charleston Trust, and Tate.

Subscribe to our newsletter

Customer care
01273 511 942
Email us
Mon–Fri, 9 am–5 pm

All art prints and images on this website are copyright protected and belong to their respective owners. All rights reserved.