Kathy Ramsay Carr is a Devon-based abstract painter inspired by coastlines, beaches and moorland. Her contemplative landscapes are painterly, creating an impasto texture. Having lived in British Columbia and working as the Head of Design in the National University of Mexico, her work is influenced by her international life. We catch up with the Kathy Ramsay Carr to discuss her inspiration and share her experience of life as an artist.
As a child I grew up living in British Columbia, Canada, which had a lasting influence on my work - the sea, mountains, big spaces. My father took advantage of the £10 ticket to any of the Commonwealth countries that was being offered to people of certain professions, his being a civil engineer. His twin brother was already living and working there as a geologist, so we emigrated when I was 3 years old.
I studied Fine Art at Bath Academy of Art in Corsham in the 1970’s - a unique and extraordinary place at the time for various reasons. Firstly, it’s hub was at Corsham Court, where the foundation students spent their first year, walking amongst peacocks and sitting by Capability Brown’s lake. Secondly, the teaching staff were mostly practicing artists, some of them well known, like Sir Howard Hodgkin.
At 23 years old, a year out of art college, I had an adventurous spirit! I had seen Mexican art and was drawn to the country. It was not usual for a young English woman to travel alone to a country only known for bandits and cactus and my father was horrified, which made me even more determined to go ( I must have been maddening). My plan was to travel through Canada, revisiting my childhood, buy a horse and ride down through the US to Mexico, and spend about 6 months to a year there. But I was offered a job in Mexico City, in Graphic Design & Illustration that I couldn’t refuse, which later lead to taking up an excellent post at the national university so I stayed 8 years in all. I loved living with Mexican people and integrated happily into their culture and language. I came home to the UK eventually, importing Mexican jewellery for ten years and then returned to illustration and printmaking whilst my daughters were young.
I cant imagine anything else.. except perhaps a poet or a gardener.
Mornings are best but I get a second wind mid afternoon and the best things can happen with a painting then. I work in a studio in my garden and have a great view of the fields and hills.
I mostly work in oil painting on canvas and wood, although I use all types of pencils crayons ink and acrylic painting - and love paper. I could not do without my collection of palette knives.
The natural environment, space solitude, stillness. I also draw on personal experience. Painting for the last 25 years has been a cathartic exercise for me.
My favourite current piece of work is ‘Call of the Curlew’. I was happy with this painting because it captures the mood of a storm passing. The turquoise highlights the electric effect of a thunderous sky. I was thrilled that it sold to a surfer, whose wife hid it under their bed until she could give it to him for his birthday!
J.M.W. Turner, Francis Cadell the Scottish colourist, Peter Lanyon, Barbara Rae and David Tress.
Drawing and painting in France in my campervan, and tending to my garden in Devon! I don’t have any other major ambitions on my list - I’m happy as I am.
To have been Head of design in the Cultural Institute of the National University of Mexico. Being accepted to teach at Cortijo-Romero, a personal development holiday center in Andalusia, Spain. To have had my work exhibited at some wonderful galleries in the UK.
Believe in your ability.
Never give up. (by my family!)